One night a few days ago, around 2 am, half-asleep, I became convinced that it would be intellectually fruitful to contrast Mad Max: Fury Road with the Sopranos.
Now, fully awake, I’m not sure there’s any connection between the two except that I watched them both this past week. But by looking for excuses to compare them I found a rather good one – a parallel between two scenes that seem, on the face of it, somewhat unremarkable.
mad max and moral defeat
You can glean pretty much all you need to know about Mad Max’s dusty hell-future from the preview. In Mad Max: Fury Road, a scene that stuck in my mind – and the only one that I can link tenuously at all to anything regarding the Sopranos – arrives in the first 15 minutes, even before Mad Max gets on the road. It’s an early way to show you the the twisted moral universe of the movie’s prime villain, Immortan Joe. (He’s the frighteningly pale, long-haired hulk with the breathing mask which, strangely and confusingly, features its own set of gums and chompers.)
Joe might be described as half medical nightmare, half despot. He rules over a clan of withered peasants and psychotic warrior boys, whom he’s fed a makeshift religious mythos that he’s at the center of.